EDUCATION
1991, School of the Museum of Fine Arts Boston, Boston, MA, Diploma in Studio Art
1984, Rhode Island School of Design, Providence, RI, B.F.A. Graphic Design

GRANTS/AWARDS
2018, Massachusetts Cultural Council, Artist Grant, Finalist, Drawing & Printmaking
2004, Massachusetts Cultural Council, Artist Grant, Finalist, Drawing/Works on Paper
2003, Massachusetts Cultural Council, Arts Lottery Grant, Artist Fellowship 
1999, Massachusetts Cultural Council, Arts Lottery Grant, Artist Fellowship
1996, Museum School Alumni/ae Traveling Scholarship, SMFA, Boston
1996, Massachusetts Cultural Council, Arts Lottery Grant, Artist Fellowship
1993, Massachusetts Cultural Council, Arts Lottery Grant, Artist Fellowship

EXHIBITIONS: SOLO AND TWO-PERSON
2018, How Little is Enough?, Drive-by Projects, Watertown, MA
2015, Field to Flower, 5th Business Projects Gallery, Woodstock, VT
2013, Recent work by Meg Alexander and Richard Forster, Drive-by Projects, Watertown, MA
2011, New Landscapes, Gallery Kayafas, Boston, MA
2010, Sorry Deer, Taylor Gallery, Kimball Union Academy, Meriden, NH
2006, New Work, Allston Skirt Gallery, Boston, MA
2003, Forward Back, Allston Skirt Gallery, Boston, MA
1996, Drawings, Howard Yezerski Gallery, Boston, MA
1992, Sculpture Installations, Brickbottom Gallery, Somerville, MA

EXHIBITIONS: SELECTED GROUP
2020, Belated Spring, BK Projects @ Jameson & Thompson, Jamaica Plain, MA
2020, Drivin’ Along: 10th Anniversary Show, Drive-by Projects, Watertown, MA
2019, 26th Drawing Show, Mills Gallery at the Boston Center for the Arts, Boston, MA
2019, Treasures, Gateway Gallery, Brookline, MA
2018, Trees II, Gallery Kayafas, Boston, MA
2018, Power of the Flower, ConcordArt, Concord, MA
2017, Paperwork, Clark Gallery, Lincoln, MA
2017, Unveiled, HallSpace Drawing Project, HallSpace, Dorchester, MA    
2017, Ptown Pop-Up, BK Projects @ 444 Gallery, Provincetown, MA
2017, Sunscreen, Page Bond Gallery, Richmond, VA
2016, Transforming And New Considerations, Conley Harris Studio, Boston, MA
2014, Dreaming Gardens, Suffolk University Gallery, Boston, MA
2014, Place Value: Place as Inspiration, Cornelius Ayer Wood Gallery, Middlesex School, Concord, MA
2010, Mapping and Mating, Singer Editions, Boston, MA
2010, Winter Wonderland, The Beehive, Boston, MA
2009, For Real, Spike Island, Bristol, UK
2009, New Works on Paper, OH+T Gallery, Boston, MA
2005, ex.05.03.06103, The Cartin Collection, Hartford, CT
2004, Curators’ Intuition, Institute of Contemporary Art at Maine College of Art, Portland, ME
2002, Making a Mark, Danforth Museum of Art, Framingham, MA
2002, New England New Talent: 6th Biennial Exhibition, Fitchburg Art Museum, Fitchburg, MA
2001, The Drawing Show, Mills Gallery at the Boston Center for the Arts, Boston, MA
1997, The Drawing Show, Mills Gallery at the Boston Center for the Arts, Boston, MA
1996, Traveling Scholars Exhibition, Museum of Fine Arts, Boston, MA
1996, Seats of Meaning: The Chair as Expression of Status, Style, and Spirit, Tufts University Art Gallery, Medford, MA
1995, The Drawing Show, Mills Gallery at the Boston Center for the Arts, Boston, MA
1993, A Woman’s Place: Icons to Domesticity, Provincetown Art Association and Museum, Provincetown, MA
1993, The Drawing Show, Mills Gallery at the Boston Center for the Arts, Boston, MA

COMMISSIONS
2016, Middlesex School Music Department. Concept development and execution of lid decoration for a newly commissioned Flemish style, double-manual harpsichord. India ink and milk paint on wood. Concord, MA
2015, Shepard Restaurant. Concept development and execution of large scale, site specific wall drawing (approximately 24’ x 4’) for James Beard Award Winning chef Susan Regis’ restaurant. India ink and graphite on absorbent ground. Cambridge, MA

COLLECTIONS
Cartin Collection, Hartford, CT
Fidelity Investments, Boston, MA
Wellington Management, Boston, MA
Work held in private collections in the United States, the United Kingdom, and South Africa

SELECTED BIBLIOGRAPHY
Jerry Russo, Zoom interview for archive on artists’ experiences during the pandemic, 10/22/20
Dan Blask, ArtSake blog, Massachusetts Cultural Council, “Studio Views”, April 2018
Staff, Boston Voyager, “Meet Meg Alexander,” interview, October 2017
Cate McQuaid, Boston Globe, “Inspired by details of a place,” exhibition review of Place Value, 4/17/14         
Cate McQuaid, Boston Globe, “Razor Sharp: Recent Work by Meg Alexander and Richard Forster”, exhibition review, 6/5/13
Rachael Arauz, Exhibition Essay, “Meg Alexander and Richard Forster: Drawing”, May 2013
Sebastian Smee, Boston Globe, “Meg Alexander: An artist capturing nature in bristles and black ink”, 4/28/13
New American Paintings, Volume 74, Published by Open Studios Press, Boston, MA, 2008
Anja Chavez, Exhibition Catalog, “New England New Talent,” Fitchburg Art Museum, 2002
Rebecca Tasker, Exhibition Catalog, “The 17th Drawing Show”, 2001
Bunny Pearlman, Exhibition Catalog, “A Woman’s Place…Icons to Domesticity”, 1992

CURATORIAL PROJECTS
2014, Place Value: Place as Inspiration, Cornelius Ayer Wood Gallery, Concord, MA
Featuring works in various media by: Meg Alexander, Beth Galston, Pat Shannon, Nancy Murphy Spicer, and Maggie Stark

GALLERY AFFILIATION
BK Projects, Boston, MA
Drive-by Projects, Watertown, MA